Photo is of poet Jennifer Tappenden who decided she could either take a vacation or start a press. And she started Architrave Press, hand-setting and hand-printing a first edition of 250 copies each of 10 poems selected after she called for submissions. She learned the letterpress printing process from scratch and uses this 1957 press that was once motorized but now operates entirely manually, cranking out with a sound like thunder finished poems inked on beautiful paper. Jennifer re-conceived the poetry book or anthology, asking, Why can't people buy and collect only the poems they like, the way they download only the songs they like? When the poems are offered separately, a buyer can build his or her own collection, and the hand-created nature of the pages gives them value.
I spent an evening in a Cherokee Street storefront watching this process, all hand-done from setting up the poems as Ben Franklin or Walt Whitman had done it, with lead letters, backwards, in little frames. Then there was the piling of quality paper, the skilled inking of the roller, which has to be just right, and the roll of the ink over the letters to make: poems. At hand was the print shop's black dog, named Smudge. What's an "Architrave" you ask? A stone or wooden beam held up by columns, usually over a doorway, as in classical architecture. Architrave Press is holding its first reading event Friday, Oct. 7 at 7:30 p.m. at a venue new to me, The Tavern of Fine Arts, 313 Belt Avenue in the Central West End. I hope to see you there when my "Self-Portrait on Greyhound Bus" makes is debut in print.