A good short story, personal essay, poem, or memoir captures the texture of life. The most celebrated memoirs are those which tell more than one story. For example, in Tobias Wolff's This Boy's Life we read about the boy's education and conscience, but also about the bad second marriage his mother is trapped in, and how she is changing, doing things formerly out of character, like campaigning for JFK. These experiences happened during the same period. They were parallel.
Wolff could easily have written the entire memoir about his youthful self and how he learned to lie and fight. He could have written a fine memoir just about his mother's life. Either one would probably have been swell. But these in reality were intertwined, and Wolff wrote them that way.
What this appears to accomplish:
1) More accurately depicts the boy's exterior reality (events, conversations, his stepfather's behavior, friends and schooling and lessons learned)
2) More accurately depicts his interior reality. We all live more than one life at a time. In fact, at least two: the life that people can see and the one they don't. I've read (dull) stories and essays delving deep into an individual's emotional life that never indicate that this character or person has a job, or siblings, or a loan to pay off, or a best friend who isn't a dog, or a political opinion, or a goal.
Fiction and nonfiction have this in common: To capture the texture of real life, the work needs a subplot or more than one narrative thread.
You can see this on television, say, on The Simpsons, when the main story is about, for example, Homer, but a secondary story is woven in about two other characters. If you look for this, it is absolutely everywhere. That's because having two or more threads captures the texture of life.
When your creative prose seems dull or flat or thin or like "weak tea," it's usually because it has only one facet or thread. A secondary or parallel story, or "subplot," is a lot of work for the writer and requires skill. It is a large part of what makes superior fiction and creative nonfiction. You can spend years in creative-writing courses and never once hear about subplotting, or why subplotting is as basic as the "main story." I have, however, heard a poet say, "A poem should always be about two things." Poets get it.
Prose writing is a little different. After you have learned how to develop and play on one thread, attempt to add another to the piece you are working on. Don't worry about how well or poorly you do it at first. I said it's a skill and that it's not easy.
May 20, 12 noon: A promotional E-mail from BookSurge (how’d they find me?) offers me 20 free copies of my own book if I self-publish with them before May 30. I’m curious and reply.
May 21, 10:20 a.m.: A deft and polite BookSurge sales rep ACTUALLY PHONES ME. I said I had a 90-page book of poetry, print-ready, in PDF format. Faint hint of dismay (poetry?!) detected. To publish this book in paperback I’d pay them only $299 and get 1 copy. If, like most authors, I had a plain, no-pictures, word-processing manuscript, not print-ready, requiring interior layout and design, I’d pay $499 and get 1 copy.
Honestly, the above two deals are competitive in all details with other good self-publishers. Except Booksurge alone can currently say, coquettishly, “We are one of the few self-publishing, print-on-demand companies that can guarantee availability on Amazon.com always.”
But what about my 20 free copies? I asked the rep. Turns out that Booksurge’s May special isn’t for penny-ante printing like mine, but for their Total Design Freedom Packages: $799 to $2,749. (Note: The traditional publishing industry has never given authors a say in their covers or bindings, much less total design freedom. It sounds good, but you don’t need it.)
Like other PODs, BookSurge has optional promotional tools, but only BookSurge, being Amazon, can pair your book with an Amazon bestseller as a tag-along (“buy this too”) suggestion on the bestseller’s page -- if you pay $1,000 a month.
Job interview #2: The hiring committee had a projector so candidates could present audiovisual portfolios on DVD. They asked if I had one. I saw I was sunk. Inspired, I said, "I'll be honest with you. I'm a writer. I just published my fourth book," etc. I'm gleeful, and a lively discussion ensues. Finally they ask how I feel about coordinating public-relations functions all day and attending said functions all evening. I tell them that I would hate that.
Welcome to the SanityBubble blog, successor to the Mental Health for Writers blog. I'll be moving all of its entries over here. BookEval.com is now my online home and website, and I am my own darned employer and can be honest with you.