Blue MaterialWritten by Catherine Rankovic
It went well. This entry is not about the work or how it was received (just fine!) but on the exceptional demands that "blue" material makes on the speaker. First I had to slenderize the poems so none of them sounded blue for blue's sake, making sure each line carried genuine content. At Chance Operations delivery really counts: Entertainment is valued. And real entertainers don't falter, shuffle through papers, get self-conscious, apologize for their material, mumble or mess up, and they care about timing and shadings in volume, speed and tone. They can't be worried about their clothes or looks, so I wore the simplest possible thing. I wanted first to have no patter at all before and between poems but saw I needed to give context at least twice but kept it very short. While rehearsing I kept revising, so the poems were not completed until the day of the reading. It was evening and I knew I would be physically tired before I even started, so I asked to "go first" and carefully geared myself up with a cup of coffee and protein, and sat alone to get focused and centered. It was going to take enormous confidence. I have never disciplined myself so severely for a poetry reading. The preparation paid off, though. Entertaining is no joke!
My co-readers on that evening were Eileen G'Sell and Gabriel Fried. The photo was taken by Tony Renner. Thanks to Chance Operations for the chance!
Writer, with 30+ years' writing and publishing experience, 20+ years' teaching experience. Last book read: Mrs. Lincoln by Catherine Clinton.
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